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26 September 2018Discovering and Uncovering Constables in the Dedham Vale: tales from the conservator's studio
27 June 2018'Let there be Light'
30 May 2018The Queen of Instruments: the lute within Old Master Paintings
25 April 2018The Art of Seduction
28 March 2018Stained Glass
28 February 2018Let there be Light
31 January 2018Lawrence of Arabia
06 December 2017Treasures of the Fitwilliam Museum
25 October 2017Rise and Fall of Napoleon Bonaparte
27 September 2017The English Domestic revival: Country House Architecture at the End of the 19th Century.
31 May 2017Fuego, Humo y Hierro: How spanish artists portrayed steel industry in Bilbao
26 April 2017Inspired by Stonehenge
29 March 2017The Art and Culture of Fin-de-siecle Vienna
22 February 2017The ups and downs in the lives of the impressionists along the section of the Seine which has been termed 'the Cradle of Impressionism"
25 January 2017Double Dutch:Symbols, Emblems, and 'Double-entendre' in Dutch Genre painting
30 November 2016'Leaves from Honor's Diary'
26 October 2016Stone of Heaven - Jade, 1500BC - 1800AD
28 September 2016Truth and Ornament in Architecture
25 May 2016From Bronzes to Banksy - an armchair tour of public and street art
27 April 2016'To please the palate, charm the eye': 400 years of food as ephemeral art
30 March 2016The Great Fire of london
24 February 2016The Elgin Marbles
27 January 2016Three Andalucian Cities, Cordoba, Seville andGranada
28 October 2015The Stones and the Sea: influences of Yorkshire and Cornwall
30 September 2015Fashion, Form and Function - a History of English Silver
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29 April 2015Secret Art and the Passport - how we use it to fox the forger
25 March 2015Gypsies, Tramps and Thieves: the Representation of the Working Classes in Art
25 February 2015Eric Ravilious, Designer: Wood Engravings, Ceramics and Lithography. Please note, AGM starts at 2:30pm, lectures at 3pm
28 January 2015Windsor: a Castle Restored': the fire of 1992 and the restoration
29 October 2014'...a little revolution.': Eric Gill, Jacob Epstein and the revival of the Romanesque tradition of direct carving in stone
24 September 2014Three Artists of the First World War
27 August 2014President's Event
25 June 2014Wimples to Wellingtons: a History of Dress and Fashion
28 May 2014Shadowy Figures - Early Japanese designers of gardens in the UK
30 April 2014Thomas Gainsborough
26 March 2014Harems, Hookahs, Odalisques & Ottomans: a passion for the oriental in 18th and 19th century art
26 February 2014Art for an Afterlife: ancient Egyptian tomb scenes and funerary goods
29 January 2014Sorolla - Painter of Sunlight
11 December 2013Norman Rockwell's Christmas Wish
27 November 2013Troy: Myth, History & Archaeology
30 October 2013Fakes & Forgeries: The art of deception, insight into the methods used by criminals to dupe the art market
25 September 2013Threads of History: the World of the Bayeux Tapestry
26 June 2013British Neo-Romanticism
29 May 2013The Birth of the Artist; Self-Portraiture and the Image of the Painter in the 17th Century
24 April 2013The Genius of Rene Lalique
27 March 2013William Kent - the Artistic Genius of Palladian England
27 February 2013The Frome Hoard
30 January 2013Imperial Purple to Denim Blue: the Colourful History of Textiles

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Discovering and Uncovering Constables in the Dedham Vale: tales from the conservator's studio Rosalind Whitehouse Wednesday 26 September 2018

The painting conservator tells the story of discovering paintings connected with John Constable: four members of the family and Constable’s right hand man are reunited on her studio workbench.

Two portraits by the famous artist had recently changed their identity, and a clever client with a good eye had managed to snap up pictures at country auctions without knowing of their precise Constable connections.

Using many images of work in progress, the talk also gives a detailed description of the public cleaning of Constable’s Millstream, the same scene as that of the famous Haywain, which also entailed a small but beautiful revelation.  

Microscopic analysis gave insight into the structure of the paint layers, showing that the artist followed the prescriptions of an authoritative painters’ manual of the day.

The work took place at Christchurch Mansion in Ipswich, under the public gaze.